I make AI films the same way I shoot live action. Script first, then boards, then shot by shot.
Seal Island · AI short filmWriter / Director
The Beast Furnace · AI short film, in productionWriter / Director
A Quiet Explosion · AI short film, stillsWriter / Director
From board to shot
Seal Island, shot 8.7. The board called for a view from directly above. I changed it to a look through the gap in the door, so the reveal cuts to the investigator sitting on the floor.
Seal Island, shot 8.3. The board showed one eye in the blade. I changed the reflection to the old man's face. In the first frame his eyes are still dry; in the shot, the tear has already fallen.
What I make
- AI commercialsAds and short films for social.
- AI short films and pitch filmsShorts, and concept films or previs for features and series.
- Live action plus AIReal actors on camera, with AI for the wide shots and sets.
How I work
- I write the script and boards, and decide each shot myself.
- Commercially licensed tools only.
- No real people's likenesses or other people's work used to train or prompt.
- Rounds of revisions are agreed in the contract.
On set
